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Miroslav Tikhy. Source: mamm-mdf.ru Lecture: Roman Buxbaum
24
Jean-Mixhel Buche. My favorite animal. 2011. Mixed media. Courtesy Pecherskiy gallery Jean-Michel Buche
25
Lecture: The In-subcultural Media Representations of Street Art Lecture: The In-subcultural Media Representations of Street Art
26
Courtesy Shardam Project Africaniana. Performance
27
Juan Hernandez Pijuan. Febrer. 2002. Oil on canvas. Courtesy Art+Art Gallery 3 February — 11 March Juan Hernandez Pijuan. Retrospective
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Kazimir Malevich. Sketch for a Portrait of Roslavets. Song to the Blue Clouds. Around 1907. Source: ncca.ru Lecture: Alia Berdigalieva. Acoustic Forms of Suprematism
29
Mark Markov-Grinberg: A Retrospective Mark Markov-Grinberg: A Retrospective
1March
Environment of the Wait Environment of the Wait
2
Darya Usova Darya Usova
3
Nikolay Kasatkin. Shadows. 2011. Oil on canvas. Courtesy pop/off/ art Gallery Nikolay Kasatkin. Shadows and Reflections
4
Vitaly Arutyunov. From the Nu series. Photograph. 2012. Courtesy of Lumiere Centre of Photography Master class: The Art of Nude Photography by Vitaly Arutyunov
5
Sarah Moon. Photo by Andrei Kuznetsov. Source: photoline.ru Master class: Sarah Moon
6
Objects in Anatoly Komelin workshop. 2011. Courtesy artist Anatoly Komelin. Free Responsibility Zone
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Courtesy Shardam Project Wednesdays in Shardam
8
Viktoria Malkova, Polina Moskvina. Nest. Bakugans. 2011. Mixed media. Courtesy E.K.ArtBureau Viktoria Malkova, Polina Moskvina. Nest
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Nadezhda Udaltsova and Alexander Drevin. Family Portrait 17 February — 31 March Nadezhda Udaltsova and Alexander Drevin. Family Portrait
10
Jean-Mixhel Buche. My favorite animal. 2011. Mixed media. Courtesy Pecherskiy gallery 24 February — 16 March Jean-Michel Buche
11
Diana Machulina. From the triptych “Use, Strength, Beauty”. 2011. Oil on canvas Courtesy artist and Guelman Gallery 11 February — 12 March Diana Machulina
12
Farid Rasulov. Seafood. 2011. Installation. Courtesy Aidan Gallery 1 March — 1 April Farid Rasulov. Seafood
13
Movie still from "Kisses Sweeter than Wine" by O. Fahlström. Source: ncca.ru "Theater and Engineering". Experiments of the New York School
14
Chim↑Pom. Super Rat. 2008. Stuffed rats, diorama, video, monitor, DVD player. Photo: Yoshimitsu Umekawa. © 2008 Chim↑Pom. Courtesy Mujin-to Production, Tokyo 1 Double Vision: Contemporary Art from Japan. Part I. Reality/Ordinary World
15
Yoshitomo Nara. Candy Blue Night. 2001. Acrylic on canvas © Yoshitomo Nara. Photo: Yoshitaka Uchida. Courtesy Tomio Koyama Gallery Double Perspective: Contemporary Japanese Art. Part II. Imaginary World/Phantasms
16
Alexandra Mitlyanskaya: Life Processes 16 February — 25 March Alexandra Mitlyanskaya: Life Processes
17
Thomas Dworzak. Caucasus 1 March — 1 April Thomas Dworzak. Caucasus
18
Dialectics of the Stranger’s Eye. Iran Culture 22 February — 25 March Dialectics of the Stranger’s Eye. Iran Culture
19
Environment of the Wait 1 March — 2 April Environment of the Wait
20
Mark Markov-Grinberg: A Retrospective 29 February — 15 April Mark Markov-Grinberg: A Retrospective
21
Raoul Hausmann. Mechanischer Kopf (Der Geist unserer Zeit). 1920. Source: en.wikipedia.org Lecture: Dadism and Neo-dadism. Anarchy and New Order
22
Andrey Filippov. Unto the Angel of the Church in Ephesus Write. From the “Rolling Blackout” project. 2011. Object. Courtesy Stella Art Foundation, Moscow Andrey Filippov. Rolling Blackout
23
Andrey Filippov. Unto the Angel of the Church in Ephesus Write. From the “Rolling Blackout” project. 2011. Object. Courtesy Stella Art Foundation, Moscow 22 March — 1 May Andrey Filippov. Rolling Blackout

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Novikov Timur

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Comments

Талеко, 10:06 PM, February 22, 2012

Anastasia Zakharova. Small Country

3 — 25 January

Уважаемая Анастасия!
Очень понравились ваши рисунки!
Один из них я поместила на страницу с моим хайбуном - если вы не против!
http://stihi.ru/2012/02/22/3617

Спасибо!

Талеко

lavaaz, 5:29 PM, February 21, 2012

Terry O’Neill. First and Last: A Museum Retrospective

26 October — 21 November

Терри О’Нил: искусство искренней фотографии
Перед объективом его камеры коронованные особы снимали мантии, а короли бокса – перчатки. В фотографиях Терри О’Нила нет надуманностей, притворства и позы, столь характерных для фотографического жанра как такового.

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Red October" and Bolotny island territories planned to be converted into elite lodgings. Your thoughts on this project?